Introduction
Hello, Diego here!
I will begin by explaining a few things. First, I have opted to neglect works of mine which are derivative or "practice."
Second, some pieces have simply have been lost to time and will never be retrieved. I will do my best to leave links for pieces which have been posted online. Perhaps down the line, I can attach links as I find old works.
For my development, I am primarily self-taught. My piano tutor, Mrs. Leesa Hammit, acted (and continues to act) as a mentor and guiding force for my musical accomplishments.
I will begin by explaining a few things. First, I have opted to neglect works of mine which are derivative or "practice."
Second, some pieces have simply have been lost to time and will never be retrieved. I will do my best to leave links for pieces which have been posted online. Perhaps down the line, I can attach links as I find old works.
For my development, I am primarily self-taught. My piano tutor, Mrs. Leesa Hammit, acted (and continues to act) as a mentor and guiding force for my musical accomplishments.
PURPOSE
The idea is to create a chronology of my development as a music composer. Throughout these pieces, you will hear my development as both an artist and person. I hope to dispel the myth that anyone is simply "born" with a skill. It is certainly a gift, but talent is nurtured.
I will attempt to write a sentence or two for each piece, perhaps more. I know I have written more than three-hundred pieces since 2016, but I cannot recall all of their names. An old hard drive with many of them was corrupted a few months ago, which is unfortunate.
Thank you for your time!
D. Campos
I will attempt to write a sentence or two for each piece, perhaps more. I know I have written more than three-hundred pieces since 2016, but I cannot recall all of their names. An old hard drive with many of them was corrupted a few months ago, which is unfortunate.
Thank you for your time!
D. Campos